NEWS ARCHIVE

“Walls Show No Sign of Fire,” New York Tribune, February 21, 1908
“Maid’s Warning Saves Family of Architect,” New York Evening-World, February 20, 1908
“Art Show to Aid Lawrence Children,” New York Sun, April 2, 1912
“Women and Men Form Birth Control League to Aid ‘Family Limitation’ Movement,” Natchez Democrat, May 20, 1915
“Trial Sought by Mrs. Sanger,” New York Tribune, August 24, 1915
“Anarchists in Wild Defiance Curse Judges in Court,” The Evening World, September 10, 1915
“Sanger Prefers Prison to Fine,” New York Tribune, September 11, 1915
In the New York Herald, November 9, 1919
In the New York Herald, Novermber 9, 1919
Exhibition Notice, New York Herald, November 30, 1919
Exhibition notice, New York Tribune, December 7, 1919
In the Brooklyn Daily Eagle, March 28, 1920
In the Brooklyn Daily Eagle, April 4, 1920
City of Vigo in the Brooklyn Daily Eagle, April 11, 1920
In the New York Sun, April 18, 1920
“Bohemianism Runs Unbridled at Dress Ball of Liberator,” New York Tribune, April 3, 1921
“Bouck White Taken from Bed, Flogged, Tarred, Feathered,” New York Herald, May 30, 1921
In the New York Herald, October 23, 1921
“19 Artists to Exhibit at Brooklyn Museum,” Brooklyn Eagle, June 8, 1930
Exhibition Notice at Delphic Studios, circa 1931
“Dispute Over High School Mural Put Up to City Art Commission,” Brooklyn Daily Eagle, September 15, 1936
“Teachers Assail WPA Painting at Industrial High,” Brooklyn Daily Eagle, circa 1936
“A Collaboration with Nature,” by Tovah Martin, Arts and Crafts Homes and the Revival, March 7, 2014
“William Sanger – the Artist as Health Activist” by Markley Boyer, Hektoen International, Summer 2016
On the cover of the New Music Connosieur, Vol. 22, No. 2, Spring 2017
“The Village’s Pink Townhouse Lists as an $11M Fixer-Upper,” 6sqft, October 15, 2018
“New S.P.C.A. Head,” New York Daily Trbune, undated

William Sanger was mentioned or featured in the following newspaper and magazine articles, in addition to the articles above:

His exhibit at the Touchstone Gallery was reviewed in The New York Times, November 9, 1919.

“He works seriously in a modern rather than ‘modernist’ manner, paying attention to his volumes of color… and all his architectural subjects strike an authentic note. His color is steely and harsh, apparently true to the spirit of the country, and there is strength in his association of lines.”

Sanger was the subject of an interview in The New York Call Magazine, November 9, 1919 by Harold Hersey.
His Spanish paintings were the subject of an article in The American Magazine of Art, June 1921.

“He has painted the grim lands and gray architecture of old Spain in the same fluent mood that he brought to the presentment of the storm-shifting sands of Cape Cod, Mass. He is free and modern in spirit without being aggressively modernist in method. His paintings evidence that he has fallen under the same spell which that ancient country cast over El Greco, Goya and Zuloaga.”

“Mother and Child” and “Lighthouse at Gannet Rock” were featured in The Brooklyn Museum Quarterly, 1930. The reviewer stated:

“William Sanger who is a practicing architect, gives a personal conception of the old, old Mother and Child theme. It is a Mother and Child that is alive and vitalized by rich color, and which realizes an individual conception with convincing artistry.. This is perhaps the outstanding painting in the group contributed by Mr. Sanger.”

His exhibit at Delphic Studios was featured in an article in Art News, April, 18 1931.
“Coal Bunker” from the Delphic Studios Exhibit was in the New York Evening Post April 18, 1931.
“Mehitabel” was featured in Art Digest Magazine, May 1, 1931, which mentioned favorable reviews in the Sun, the Times, and the Herald Tribune.
“The Scrubwoman” was featured in the American Magazine of Art, Feb 1936, Vol. 29, p. 115.
“Surf” was featured in The Brooklyn Museum Quarterly, April 1937.
“City of Vigo, Spain”, from 1917 was in Art News, February 5, 1942.
His exhibit at the Touchstone Gallery was the subject of an article in The American Art Student